World Class In-Camera Visual Effects
We Are Proud Partners in The Glass Dome
– Netflix Limited Series
Igelkott Studios is proud to have partnered on The Glass Dome, the gripping new Netflix limited series now streaming globally.
We delivered the driving plates and the virtual production stage used for the show’s intense car scenes, helping bring its dark, cinematic world to life across all six episodes.
About the Series:
When her friend’s daughter disappears,
criminologist Lejla joins the search and must confront the trauma of her childhood abduction.
#1 Show in 2 Countries This Week
1.9 Million Views This Week
4 Weeks in the Global Top 10
In-Camera Visual Effects leadership.
We have years of experience managing plate shoots and deciding what will work on a big video wall backdrop. Setting the right expectations is critical to producing an excellent final effect.
We review the script.
We consult the creative leaders.
We design the camera rigs and the studio.
We produce the plates and direct the studio production.
This session explores Eric Hasso's journey in revolutionizing in-camera visual effects. As Director of In-Camera Visual Effects, Hasso shares his pioneering techniques in using front projection, building the first VP studio in Sweden, and developing Europe’s largest projector-based virtual production wall. His narrative spans technological advances, overcoming challenges, and the creation of native 360° plates, ultimately transforming virtual production. This presentation offers an insider's look into the future of immersive storytelling through virtual production.
Netflix and Warner Bros presents
"A Day and a Half," a thrilling road movie directed by Fares Fares, known for his work in Swedish films and series such as "Partisan," "Westworld," and "Chernobyl."
The movie features driving In-Camera Visual Effects produced by Igelkott Studios®.
Volvo EM90 - The Grand Opening
Shot on Arri Alexa 35 and Arri 416.
In this 6-minute-long commercial, Volvo heavily utilized our In-Camera Visual Effects possibilities in Studio Fares for their exteriors.
Ranging from full-size rooms to car interiors.
They were able to frame with infinity focus in key scenes because of our pixel-free screen.*
*Temporally invisible pixel grid, which is immune to the moiré effect at a 180-degree shutter angle.
